Wednesday, December 31, 2008
The Madonna in Majesty (detail)
The Madonna in Majesty (detail)
by Cimabue
1285-86
Tempera on panel, 91 x 75 cm (full painting: 385 x 223 cm)
Galleria degli Uffizi, Florence
Mary would like you to know that there's absolutely NOTHING funny about Jesus's ears.
Sunday, December 28, 2008
Holy Family (Borgherini)
Saturday, December 27, 2008
The Dresden Altarpiece (central panel)
The Dresden Altarpiece (central panel)
by Albrecht Durer
1496
Oil on canvas, 117 x 96,5 cm
Gemäldegalerie, Dresden
Weird, semi-transparent angels lower a crown onto Mary's head, while she prays over squishy Jesus.
What's unclear is why a Flemish style home can be seen out the window (in Bethleham?) and why a wee little guy with no pants is waving a mop over the sleeping Jesus.
by Albrecht Durer
1496
Oil on canvas, 117 x 96,5 cm
Gemäldegalerie, Dresden
Weird, semi-transparent angels lower a crown onto Mary's head, while she prays over squishy Jesus.
What's unclear is why a Flemish style home can be seen out the window (in Bethleham?) and why a wee little guy with no pants is waving a mop over the sleeping Jesus.
Friday, December 26, 2008
Virgin and Child
Diptych with the Virgin and Child and Three Donors
Diptych with the Virgin and Child and Three Donors
by Master of the Legend of St. Ursula
1486
Oil on oak panels, 28 x 21 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
Can someone explain to me why baby Jesus is so often depicted with a red 'fro? (See previous post, for example.)
Here Jesus kind of looks like a cheap doll whose limbs are poorly stuck in his sockets, though the donors on the right don't seem to mind.
by Master of the Legend of St. Ursula
1486
Oil on oak panels, 28 x 21 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
Can someone explain to me why baby Jesus is so often depicted with a red 'fro? (See previous post, for example.)
Here Jesus kind of looks like a cheap doll whose limbs are poorly stuck in his sockets, though the donors on the right don't seem to mind.
The Miracle of the Loaves and Fishes (detail)
Wednesday, December 24, 2008
Adoration of the Shepherds
Adoration of the Shepherds
by Pietro di Giovanni d'Ambrogio
c. 1445
Tempera on wood
Museo d'Arte Sacra, Asciano
Perfect for Christmas Eve: another swaddling-gone-wrong nativity.
This is a great painting for animals. Notice the ox and the cross-eyed ass with their co-mingled ears looking in on Jesus in his swaddling tube. There's an owl on top of the super-neat manger door. And what the heck is that animal in the lower right corner? Lion-poodle-sheep?
by Pietro di Giovanni d'Ambrogio
c. 1445
Tempera on wood
Museo d'Arte Sacra, Asciano
Perfect for Christmas Eve: another swaddling-gone-wrong nativity.
This is a great painting for animals. Notice the ox and the cross-eyed ass with their co-mingled ears looking in on Jesus in his swaddling tube. There's an owl on top of the super-neat manger door. And what the heck is that animal in the lower right corner? Lion-poodle-sheep?
Thursday, December 18, 2008
Madonna and Child with Donors
Madonna and Child with Donors
by Gentile Bellini
c. 1460
Panel, 74 x 46 cm
Staatliche Museen, Berlin
Despite the peace sign, it's not all hippy love with Jesus--he's fed up with the ugly pair of donors and is kicking them away. Mary looks on with a smirk just like her son's. (They also apparently share the same eyebrow pencil...)
by Gentile Bellini
c. 1460
Panel, 74 x 46 cm
Staatliche Museen, Berlin
Despite the peace sign, it's not all hippy love with Jesus--he's fed up with the ugly pair of donors and is kicking them away. Mary looks on with a smirk just like her son's. (They also apparently share the same eyebrow pencil...)
Virgin and Child Surrounded by Angels
Virgin and Child Surrounded by Angels
by Jean Fouquet
c. 1450
Wood, 93 x 85 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
This is a rare documentation of the early days of breast enhancement. Baby Jesus, oblivious to his mother's spheres, points off to the side at giant tassels. Red and blue angels complete the bizarre scene.
Sunday, December 14, 2008
Nativity and Adoration of the Shepherds
Nativity and Adoration of the Shepherds
by Bartolo di Fredi
c. 1383
Tempera and gold on wood, 50 x 35 cm
Pinacoteca, Vatican
Jesus the mummy lies on stone slab in a strange cave-like structure. He appears mesmerized by a sort of bird laser, much to the amusement of the ox and the ass.
Up above, an angel choir sings while on the right, one angel breaks out to announces the birth of Jesus to shepherds, causing one to scratch his head in wonder.
The same shepherds can be seen in the foreground, worshiping Jesus with their cartoonish dog. What happened to the sheep?
by Bartolo di Fredi
c. 1383
Tempera and gold on wood, 50 x 35 cm
Pinacoteca, Vatican
Jesus the mummy lies on stone slab in a strange cave-like structure. He appears mesmerized by a sort of bird laser, much to the amusement of the ox and the ass.
Up above, an angel choir sings while on the right, one angel breaks out to announces the birth of Jesus to shepherds, causing one to scratch his head in wonder.
The same shepherds can be seen in the foreground, worshiping Jesus with their cartoonish dog. What happened to the sheep?
Labels:
Baby Jesus Abuse,
Old Man Baby Jesus,
Unfortunate
Virgin and Child
St Anne with the Virgin and Child and St Joachim
St Anne with the Virgin and Child and St Joachim
by Joos van Cleve
Wood, 109 x 74 cm
Musées Royaux des Beaux-Arts, Brussels
It's the Squishy Jesus family! Mary on the right (Mom), Anne in the middle (Grandma), and Joachim on the left (Grandpa).
Jesus gets his red hair from Grandpa and his pasty complexion from Mom. Altogether, it's too much for him and he's passed out....
by Joos van Cleve
Wood, 109 x 74 cm
Musées Royaux des Beaux-Arts, Brussels
It's the Squishy Jesus family! Mary on the right (Mom), Anne in the middle (Grandma), and Joachim on the left (Grandpa).
Jesus gets his red hair from Grandpa and his pasty complexion from Mom. Altogether, it's too much for him and he's passed out....
Labels:
Baby Jesus Abuse,
male pattern baldness,
Unfortunate
Saturday, December 13, 2008
Nativity
Nativity
by an unknown Flemish master
c. 1400
Tempera on wood, 33 x 21 cm
Museum Mayer van den Bergh, Antwerp
Here a chesty Jesus is observed closely by an unattractive ox and ass, while Mary reclines on a sleeping bag, using her halo as a pillow. Joseph cuts up one of his socks and God gives his blessing to the scene from the heavens above.
by an unknown Flemish master
c. 1400
Tempera on wood, 33 x 21 cm
Museum Mayer van den Bergh, Antwerp
Here a chesty Jesus is observed closely by an unattractive ox and ass, while Mary reclines on a sleeping bag, using her halo as a pillow. Joseph cuts up one of his socks and God gives his blessing to the scene from the heavens above.
Holy Family
Holy Family
by Bernaert van Orley
1522
Oil tempera on wood, 90 x 74 cm
Museo del Prado, Madrid
After the previous painting showing Squishy Jesus running from Mary, I thought it would be nice to show him running towards her. Apparently, Jesus has been running to Mary's breast quite a bit, since he's looking mighty chubby.
Jesus looks up at the crown a helpful angel is placing on Mary's head. The artist has signed and dated the painting in a trompe l’oeil scrap of paper resting in lower right corner.
by Bernaert van Orley
1522
Oil tempera on wood, 90 x 74 cm
Museo del Prado, Madrid
After the previous painting showing Squishy Jesus running from Mary, I thought it would be nice to show him running towards her. Apparently, Jesus has been running to Mary's breast quite a bit, since he's looking mighty chubby.
Jesus looks up at the crown a helpful angel is placing on Mary's head. The artist has signed and dated the painting in a trompe l’oeil scrap of paper resting in lower right corner.
Sunday, December 7, 2008
The Holy Family with Angels
The Holy Family with Angels
by an unknown German master
c. 1425
Oak, 25 x 19 cm
Staatliche Museen, Berlin
Do yourself a favor and spend a long time looking at the enlargement of this painting. The holy family is certainly busy, with Jesus in the center walking (not crawling) away from Mary waving 'bye.
Joseph, aka Santa Claus, is at work with his carpentry tools, while Mary holds a bowl of food. Mary's brocade bed is luxurious, yet her mangy hut is falling apart. Handy angels repair the hut and apparently need a ladder despite being able to fly. More angels in the foreground carry water to a tub covered by a blue shower curtain.
by an unknown German master
c. 1425
Oak, 25 x 19 cm
Staatliche Museen, Berlin
Do yourself a favor and spend a long time looking at the enlargement of this painting. The holy family is certainly busy, with Jesus in the center walking (not crawling) away from Mary waving 'bye.
Joseph, aka Santa Claus, is at work with his carpentry tools, while Mary holds a bowl of food. Mary's brocade bed is luxurious, yet her mangy hut is falling apart. Handy angels repair the hut and apparently need a ladder despite being able to fly. More angels in the foreground carry water to a tub covered by a blue shower curtain.
Virgin and Child with Two Angels
Virgin and Child
Sunday, November 30, 2008
Triptych (detail)
Triptych (detail)
by an unknown German master
1410-40
Tempera on oak, 85,3 x 95 cm
Wallraf-Richartz Museum, Cologne
This painting depicts the holy kinship, which is a gathering of all the relatives of Jesus.
You can tell they are conversing by the banners coming out of their heads. Even the naked, Ken-and-Barbie-crotched babies are chatting. The babies with the halos are Jesus and Saint John the Baptist.
by an unknown German master
1410-40
Tempera on oak, 85,3 x 95 cm
Wallraf-Richartz Museum, Cologne
This painting depicts the holy kinship, which is a gathering of all the relatives of Jesus.
You can tell they are conversing by the banners coming out of their heads. Even the naked, Ken-and-Barbie-crotched babies are chatting. The babies with the halos are Jesus and Saint John the Baptist.
Virgin and Child
Virgin and Child
by Vincenzo Foppa
1460s
Poplar, 57 x 41 cm
Staatliche Museen, Berlin
Hey it's supposed to be Baby Jesus, not overweight middle-aged Jesus with gold sash.
by Vincenzo Foppa
1460s
Poplar, 57 x 41 cm
Staatliche Museen, Berlin
Hey it's supposed to be Baby Jesus, not overweight middle-aged Jesus with gold sash.
Labels:
male pattern baldness,
Old Man Baby Jesus
Saturday, November 29, 2008
Madonna on a Crescent Moon in Hortus Conclusus
Madonna on a Crescent Moon in Hortus Conclusus
by an unknown German Master
1450s
Oak, 95 x 62 cm
Staatliche Museen, Berlin
Jesus blesses all the little people who helped him get where he is today.
Meanwhile, Mary sits on a Moon, and her robe has tiny flames around the edges. The bushes in the garden surrounding her are full of stars.
by an unknown German Master
1450s
Oak, 95 x 62 cm
Staatliche Museen, Berlin
Jesus blesses all the little people who helped him get where he is today.
Meanwhile, Mary sits on a Moon, and her robe has tiny flames around the edges. The bushes in the garden surrounding her are full of stars.
Friday, November 28, 2008
Madonna with the Child
Madonna with the Child
by Luis de Morales
Oil on wood, 71,5 x 52 cm
The Hermitage, St. Petersburg
It's not widely publicized, but Quentin Crisp actually began his career posing as the Baby Jesus.
by Luis de Morales
Oil on wood, 71,5 x 52 cm
The Hermitage, St. Petersburg
It's not widely publicized, but Quentin Crisp actually began his career posing as the Baby Jesus.
Sunday, November 23, 2008
The Burning Bush (detail)
The Virgin and Child before a Firescreen
The Virgin and Child before a Firescreen
Another centerfold squishy Jesus! Jesus reclines odalisque fashion on Mary's arm while the firescreen behind her head forms a halo.
by Master of Flémalle
1430
Oil on wood, 63 x 49 cm
National Gallery, London
Another centerfold squishy Jesus! Jesus reclines odalisque fashion on Mary's arm while the firescreen behind her head forms a halo.
Look closely at the corners on the edge of the bench at the two nifty carved lions.
Woman of the Apocalypse
Friday, November 21, 2008
Madonna and Child with Angels
Madonna and Child with Angels
by Marco Zoppo
1455
Wood transferred to canvas, 89 x 72 cm
Musée du Louvre, Paris
Jesus wears his halo like a hat in this painting, but the putti surounding him really steal the show. What's up with the putti on either side of Jesus and Mary? It's like they are posing for Playboy.
by Marco Zoppo
1455
Wood transferred to canvas, 89 x 72 cm
Musée du Louvre, Paris
Jesus wears his halo like a hat in this painting, but the putti surounding him really steal the show. What's up with the putti on either side of Jesus and Mary? It's like they are posing for Playboy.
Wednesday, November 19, 2008
Virgin and Child
Sunday, November 16, 2008
Virgin and Child with Two Angels
Saturday, November 15, 2008
Triptych: Adoration of the Magi
Triptych: Adoration of the Magi
by Pieter Coecke van Aelst
Oil on panel, 89 x 57 cm (central), 89 x 25 cm (each wing)
Private collection
Baby Jesus appears pregnant with his own baby--possibly the second virgin birth?
If you google this artist you can see he was big on Adoration of the Magi scenes. Don't you wish your name was Pieter Coecke van Aelst?
by Pieter Coecke van Aelst
Oil on panel, 89 x 57 cm (central), 89 x 25 cm (each wing)
Private collection
Baby Jesus appears pregnant with his own baby--possibly the second virgin birth?
If you google this artist you can see he was big on Adoration of the Magi scenes. Don't you wish your name was Pieter Coecke van Aelst?
Retable of the Virgin of Montserrat
Sunday, November 9, 2008
Madonna and Child
Wednesday, October 29, 2008
Madonna and Child
Sunday, October 26, 2008
Virgin and Child
Virgin and Child
by the Master of the St. Bartholomew Altar
1510s
Panel, 30 x 20,3 cm
Wallraf-Richartz Museum, Cologne
This is one amazing squishy Jesus! His body is rather unfortunately like a spider. Mary is not much to look at either--what's up with the breast coming right out from under the collar bone? Her fingers are quite long and resemble Jesus's limbs.
Look closely for the walnut on the table beneath Mary and Jesus.
by the Master of the St. Bartholomew Altar
1510s
Panel, 30 x 20,3 cm
Wallraf-Richartz Museum, Cologne
This is one amazing squishy Jesus! His body is rather unfortunately like a spider. Mary is not much to look at either--what's up with the breast coming right out from under the collar bone? Her fingers are quite long and resemble Jesus's limbs.
Look closely for the walnut on the table beneath Mary and Jesus.
Virgin and Child Enthroned
Virgin and Child Enthroned
by Master of Magdalen
c. 1290
Tempera on panel, 117 x 87 cm
Museo Thyssen-Bornemisza, Madrid
Mary and Old Man Baby Jesus are held aloft by two angels, nicely complemented by two tiny saints in the lower corners.
by Master of Magdalen
c. 1290
Tempera on panel, 117 x 87 cm
Museo Thyssen-Bornemisza, Madrid
Mary and Old Man Baby Jesus are held aloft by two angels, nicely complemented by two tiny saints in the lower corners.
Virgin and Child with the Infant St John the Baptist
Madonna with Donor and St Mary Magdalene
Madonna with Donor and St Mary Magdalene
by an unknown Flemish master
c. 1475
Oil on panel, 56 x 49 cm
Musée d'Art Religieux et d'Art Mosan, Liège
Please, please enlarge this image and have a look at just how weird these figures are. Jesus's lower body seems to belong to a whole different baby. Also, don't miss the snowflake-like halos and Jesus playing cat's cradle with a rosary.
by an unknown Flemish master
c. 1475
Oil on panel, 56 x 49 cm
Musée d'Art Religieux et d'Art Mosan, Liège
Please, please enlarge this image and have a look at just how weird these figures are. Jesus's lower body seems to belong to a whole different baby. Also, don't miss the snowflake-like halos and Jesus playing cat's cradle with a rosary.
Friday, October 24, 2008
The Madonna before the Cathedral
Saturday, October 18, 2008
Madonna Enthroned with Four Saints
Sunday, October 12, 2008
The Adoration of Jesus
The Adoration of Jesus
by Master of the Trebon Altarpiece
Before 1380
Tempera on spruce, 127 X 96.3 cm
Alsová Jihoceská Galeria, Hluboká
There are times when swaddling clothes get a little out of hand. In this case, Jesus is swaddled like a glow worm from his feet up to his halo.
There's so much great detail in this painting: the pigeons on the roof, the angel announcing the birth of Jesus with a banner, the wee shepherds in the foreground and the weird grazing animals.
Saturday, October 11, 2008
Madonna and Child
Wednesday, October 8, 2008
The Holy Family
Sunday, October 5, 2008
Madonna and Child
The Adoration of the Magi
The Adoration of the Magi
by an unknown German Master
1420
Tempera on pine, 100 x 81 cm
Hessisches Landesmuseum, Darmstadt
Are the Magi kissing or smelling the foot of Jesus?
The perspective on this painting is exciting--notice the hut is seen both from an overhead perspective (bird's eye) and an underneath perspective (worm's eye). And look at Joseph in the lower left corner cooking with a tiny pan over a tiny fire.
Circumcision
Sunday, September 28, 2008
Madonna of Humility
Madonna of Humility
by Giovanni di Paolo
c. 1435
Tempera on panel, 62 x 48 cm
Pinacoteca Nazionale, Siena
Mary feels humility for her unfortunate looking child. Jesus is on the skinny side, yet has weird Michelin Man fat rolls on his arms.
Have a closer look at the super cool landscape in the background. I think the white lumps are mountains, and the squares are fields--rather like a chessboard.
Madonna with the Child (altarpiece)
Saturday, September 27, 2008
Madonna del Latte
Madonna del Latte
by Bramantino
c. 1490
Oil and tempera on wood, 46 x 35 cm
Museum of Fine Arts, Boston
Mary nurses baby Jesus from just under her collar bone in an exciting landscape. Bramantino takes extra care with Jesus's swaddling clothes. Is it just me, or did Herve Ledger totally plagiarize this outfit in his spring line?
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